FRED BRANYAN wrote:
As an update to the photos I posted on page 11, I went to NARA again a few weeks ago to search documents, memos, correspondence etc in several Navy files hoping to find photos related to a report done by another cruiser on the camo applied to Juneau on 6/15-16/42 at Argentia Newfoundland. I had no luck. However a fellow researcher told me that a worker at the Brooklyn Navy Yard during WWII took a lot of photos now in the hands of the Brooklyn Public Library. I have contacted the Brooklyn PL, the Boston National Archives, and the Navy War College at Newport searching for camo photos. I am awaiting final news from those 3. After the re paint job above the only US ports the ship went to were Boston and Newport. By the way the archive at the Boston Navy Yard also advises they have no photos.If by some miracle any photos turn up I will post them here.
In the meantime I adjusted the contrast/brightness on one of the Laffey photos on page 11 and may have discovered by accident portions of the new pattern on the port superstructure. Not positive whether what I am looking at is the new pattern or photo/computer issues. If anyone wants the photo involved let me know.
Yes, when I get Mathimatica reinstalled on my Laptop, I can run it through an image processing filter that has algorithms for all kinds of pattern detection, which will then give me the Photoshop settings I need to produce the best image for the given pattern.
Often if you get a collection of pattern filters for a given image, and then overlay each of the filters to create a new image, you can get a vastly better image than by individual processing in Photoshop.
I will be moving to my Atlanta and Juneau (along with the Kinugasa and Aoba) when I get finished with the Nagara, Sendai, and San Francisco. So having some better images of her cammo would be good.
MB
Edit: I would still like a better copy of the Juneau photo that shows it "looking" as if it is a single lighter-grey color.
BUT.....A simple contrast adjustment on my iPad of the image shows that it is wearing the exact same pattern as we see in the last post before this one (the "history.naval.mil" images with the Juneau to the Starboard side of the Quincy).
The photo showing the Juneau in the Pacific (the one in front of the Laffey, I think) is just a photo where the depth of field on the camera was not sufficient to allow for both the Foreground destroyer to be exposed correctly, and the Juneau to be exposed correctly as well.
The photographer probably did not have time to estimate light readings from the Juneau (which, given the tools available in that era would have been impossible to take a direct reading from the Juneau anyway) in order to set his iris correctly to expose both the DD he the Juneau so that one or the other would not be blown-out. The photographer obviously chose to open the Iris more to get the darker painted Destroyer to be clear in the photo, which would have allowed a LOT of light from the distant, and lighter colored Juneau to overexpose that area of the film.
If we had the negative, we could probably recover the Juneau from the overexposure by developing it separately from the foreground image (a technique I learned from one of my best friends who got a MFA in photography from Georgia State in Atlanta). But I am going to guess that this negative is long-gone... Pity.